SHREDGUY RECORDS recording artist Shadow Eden deliver well crafted, listenable songs which feature virtuoso performances designed to please the ear of musicians and music lovers alike.
“Shadow Eden combine elements of progressive rock, fusion and guitar-driven metal into well structured, highly musical, and very listenable tunes.”-Shred Academy.
Joe Deninzon & Stratospheerius
Led by electric violinist/vocalist Joe Deninzon (www.joedeninzon.com), who has been called “The Jimi Hendrix of the violin,” Stratospheerius have showcased their “frenzied mélange of progressive rock, jazz fusion and funkabilly” throughout the world. Their latest album, GUILTY OF INNOCENCE features contributions from Renaissance’s Rave Tesar and jazz artist/Testament guitar Alex Skolnick. The New York-based group has opened for Martin Barre, The Levin Brothers (Tony and Pete), Tim Reynolds, Mickey Hart, and John Scofield… Their live performances are filled with funky dance grooves, rip-roaring guitar/violin jams, and hooks that mix jazz, funk, rock with Gypsy influences. Stratospheerius was a winner of the John Lennon International Songwriting Competition, and was named “Best Jam Band” in the Musician’s Atlas Independent Music Awards.
Joe Deninzon and Stratospheerius features: Aurelien Budynek-guitar (Cindy Blackman, The Dan Band, Rock of Ages, Daredevil Squadron), Jason Gianni-drums (Trans-Siberian Orchestra, Rock of Ages, Mike Portnoy/Neil Morse Band, Daredevil Squadron), and Binghamton’s Randy McStine-bass (The Fringe, Sound of Contact, Stu Hamm, LoFi Resistance)
The modern cinematic progressive rock band Circuline features two theatrical lead vocalists, a keyboard player from Juilliard, a jazz-rock genius on guitar, and a drummer with progressive rock in his DNA. One review of their 2016 release, COUNTERPOINT, raves that “Circuline has arrived, time for Progland to embrace them wholeheartedly…easily one of the very best US bands in recent memory”, while PROG magazine describes it as “healthy doses of Yes, Rush, and Gentle Giant, but there are also creeping, [Steven] Wilson-esque atmospherics, cinematic soundscapes and modern tonal beef…powerful harmony vocal arrangements…an intriguing, impactful record that spans the classic and modern prog worlds.” Their debut release from 2015, RETURN, has been called “breathtaking and imaginative, at times bombastic and grandiose, occasionally diving into more obscure sounds that will seem dark and ominous, always propelled by first rate vocal dynamics…a hugely entertaining debut from a band that certainly has set its sights on becoming a prog staple.”
Nominated for PROG Magazine’s 2016 Limelight award for best new band, Circuline recently performed at the 13th International Rites of Spring festival (RoSfest) in Gettysburg, Pennsylvania alongside headliners Spock’s Beard and Zebra. Additional 2016 gigs include the New Jersey ProgHouse and the Liberty Music Fest in Philadelphia. Circuline has previously opened for 20-year prog veterans Glass Hammer (east coast U.S. tour), and has repeatedly co-headlined the traveling Sonic Voyage Fest. The band members are: Andrew Colyer (keyboards, vocals), Beledo (guitars), Darin Brannon (drums, percussion), and lead vocalists Billy Spillane and Natalie Brown.
Thrilldriver is a high-energy, riff-driven, hard rock outfit from New York City. Fronted by singer/keytarist Zoe Friedman, the band draws heavily on arena rock influences like Aerosmith and The Darkness, while fusing modern elements of metal, pop, and progressive rock to form a hard hitting sound that is refreshingly familiar, but all its own. In the two years since Thrilldriver destroyed their first dive bar, these hard rockers have recorded and released their acclaimed six-song Sacha EP, packed headlining shows throughout the area and opened for major national and international touring acts such as Dead Sara and Metalachi.
Heralded as “a powerhouse live act” by Metal Insider, these burners are gearing up to release their first full length LP in the Summer of 2017. The record was produced by the band, mixed by acclaimed Producer/Mixer Kato Khandwala (Blondie, Paramore, The Pretty Reckless), and is sure to melt faces and blow socks off rock fans worldwide!
“A powerhouse live act,” – Metal Insider
“Pedal-to-the-metal, balls-to-the-wall sound,” – Bloody Disgusting
“Burners that are all things rock,” – Pure Grain Audio
King Llama’s new album, RETURN TO OX (on the TTrain Music label is a journey of instrumental compositions with stunningly-weaved elements of rock, jazz, funk, fusion, and hip-hop. With melodic sensibilities and ear-catching chops, favorite compositions include the precisely spry “Sensei,” the explosive bass-driven “Cap’n Mustard Hair,” the rebellious and emotive changes in “Smoking in Ergenzingen” and the introspective jazz journey “Blobo.”
Based in Los Angeles, the progressive rock trio, King Llama features guitarist Ryan Tanner Bailey, drummer Luis Briones, and bass/baritone guitarist Nico Staub. Ryan, Luis and Nico are all originally self taught, and then they all had extensive training (both privately, and at professional institutions), most recently at Musician’s Institute in Los Angeles, and in Nico’s case, CAEMSA in Buenos Aires. King Llama’s vibe, being quite original itself, seems to bring out moments reminiscent of King Crimson, Phish, Yes, and Rush.
Van Davis started as an instrumental trio playing a hybrid of rock and jazz – hence the name VAN DAVIS, which guitarist Jake Ezra Schwartz coined as an homage to Van Halen and Miles Davis. Their sound has since evolved to include more funk and groove-oriented material with vocals, but the name stuck!
When vocalist Abena Koomson-Davis joined VAN DAVIS, they began collaborating on funky rock-driven songs with compelling lyrics and a soulful delivery. They pride themselves in putting on a fun, entertaining live show with top-notch musicianship, adventurous playing, and powerful chemistry.
One of their career highlights so far was having Stevie Wonder join them onstage in performing “Superstition.”
Their latest CD Come With Me and is available on iTunes and CDBaby.
Crimson Courtiers was formed in 2017 to celebrate the work of Greg Lake and John Wetton. The trio is Dean Madonia: vocals, keyboards, guitar, Jesse Williams: vocals, bass and drums, Max Brown: guitar, bass.
Dean Madonia is a songwriter, performer, producer and visual artist, currently living in Nashville, TN. Dean has performed and recorded with over 40 bands, released 10 CDs and opened for such diverse acts as: New Grass Revival, Steve Vai, Dee Dee Ramone, Company B, Dottie West, The Romantics, and Ygnwie Malmsteen . He has had songs placed in movies including “Foodfight!” and “The Stream” and with various artists including Tim Dugger on Curb Records.
Jesse Williams is a professional multi-instrumentalist based in Kalamazoo, MI. He holds a Percussion Performance degree from Western Michigan University and is equally in-demand as a drummer, guitarist, bassist, keyboardist and vocalist. He has nearly two decades of studio and live performance experience in diverse genres including rock, pop, funk, blues, jazz, fusion and avant-garde progressive music. Additionally, Jesse is also one of Southwest Michigan’s most sought-after private lesson teachers.
Max Brown is a Guitarist, Bassist, and Bandleader living in Kalamazoo Michigan. After studying jazz guitar at Western Michigan University Max began playing professionally across the Midwest and can be found most nights of a week on stage with dozens of different acts.
With four studio albums and a career spanning fourteen years, Chilean prog rock band Aisles have become one of South America’s most acclaimed prog acts of the last decade. The band has played in South America and Europe, and their albums have been published in Europe, the Americas, and Japan. In 2006, they released their debut album, “The Yearning”, through Mylodon Records and distributed in Europe by Musea. Two years later, their second record, “In Sudden Walks”, was nominated for Best Foreign Record in the Italian Prog Awards and the band was invited to open the 11th Progressive Rock Festival Crescendo in France. Their third album, “4:45 AM” (2013) was widely acclaimed worldwide and was chosen among the best albums of that year in a number of specialized publications.
Their fourth album, ‘Hawaii’ was released on July, 2016, through Presagio Records, and it has been widely acclaimed by the specialized media (‘Hawaii is a work of genius. A mind expanding experience’-All About the Rock; ‘A joyous expression of individuality. One of the year’s highlights’ -Prog magazine; ‘A masterpiece’-Neoprog). Chilean premiere rock magazine Rockaxis called it the album of the year. Aisles toured Europe in October, 2016, visiting countries like England, the Netherlands, France and Belgium, and they are getting ready to tour Mexico, including one date at Fest Prog Jazz, and the United States, with dates at the festivals Progstock and Progtoberfest.
White Bush Unicorn
Once upon a time a couple of Unicorns worked at a fast food joint together. They were bonded by their silly-freakness and shared creative mysticism. Soon they moved to a neighborhood that had a surplus of silly little creative freaks, and started working in a dusty thrift store. It was there that they met other mystics, and everyone was happy and creative and aesthetically pleasing and the Lord rested. Now a fully formed 7 piece band, White Bush Unicorn released their debut EP, “Better Than Nothing” in the Spring of 2017 and have established themselves as Madison favorites with their unique brand of alt-indie-jazz-noise-punk-rock-comedy-avant-garde-circus music silly business. Great googily moogily!
Formed in 2010, Chicago’s Zaius explores a lighter, more melodic side of the members’ musical tastes without abandoning the metal tendencies that come natural to them. Although the band did not initially intend to become an instrumental project, it became very apparent in the first writing sessions that the music was much more fitting without vocals.
All Your Friends Are Dead, the band’s 2011 debut EP, showcased a fine mix of dense and morose guitar playing. 2013’s Divided By Tides EP came next and pushed things further, adding in soaring melodies. The album was met with glistening reviews, with Metal Sucks proclaiming, the world needs more instru-metal bands like Zaius.”
In late 2016, the band began writing for their next release and expanded upon their open-mindedness in writing, guitarist Dann Dolce remarks, “We try not to conform to any specific sub-genre and pull influence from as many places as possible; our goal is to keep our songs moving and dynamic, heavy yet engaging, not letting parts drag on longer than they have to.”
Of Adoration, the band’s latest album is available through Prosthetic Records. The opus was tracked at the start of 2017 with Jeff Edwards before being sent off to be mixed and mastered by Chris Common (Pelican, Mouth of the Architect, Minus the Bear). The record features 8 tracks that peaks and valleys its way through over 40 minutes of music.
Trio of Madness
Liz Gonzalez, Nick Charles, and Mike Wojik. Original, progressive instrumental surf weirdness.
Formed in 1993, Trio is currently booking their “20 years???, Get Us Off This Planet!” tour.
Their use of odd time signatures and strange chords have been known to cause strippers to have headaches.
It was once stated by Nikola Tesla that “Trio Of Madness will be my favourite band in the future.”
Bruce Springsteen once said about Trio; “Who’s that?”
Trio was once banned from the Court Tavern for excessive smoke from a malfunctioning fog machine.
Trio is still the biggest selling band in the Pleiades.
One of the band members helped build Stonehenge.
The band originally had a lead singer, who disappeared mysteriously in 1993, and hasn’t been seen since.
Trio Of Madness t-shirts were found on Mars by the Mars Rovers.
One member of the band hid his true identity by playing in hair-metal bands in the ’80s.
All three members speak fluent Vulcan.
The band wrote the rhythm for their song “Deadly Fumes” by rolling a drumset down a spiral staircase.
And in a bizarre twist, every victim of Alien Abduction has subsequently become a Trio fan.
New York based guitarist Joe Nardulli’s self-titled debut CD inspired and intrigued some of New York’s finest progressive rock musos. After jamming with a few, Joe finally found the right people and put a band together. David Penna on drums, J. Levine on bass and Eric Davis on keys brought Joe’s solo material to life. Harold Skeete and Tony Savasta are now filling the rhythm section duties.
Now as a band, AD ASTRA (Latin for “To the stars” – inspired by the title of the closing track of Joe’s self-titled debut CD) has taken the compositional process to another level. With tone and melodic sensibilities reminiscent of Steve Morse and Eric Johnson, the focus is on compositions that are tightly structured, eschewing the bombast and length that progressive rock is known for. Smooth, thematic playing styles blend perfectly with soaring, uplifting melodies. Combined with odd and shifting time signatures, you have songs that always keep your interest and never sound monotonous.
Frequently cited as “the bee’s knees” and “the cat’s meow,” Valence takes instrumental prog to new heights through their flirtations with modern metal and eclectic yet cohesive compositions. They’re a breath of fresh air for anyone tired of music formulated to fit into a box, and longs for an unadulterated form of sonic expression. The band won an Independent Music Award for “The Reckoning,” off of their 2014 EP, Laser Baron, a strong follow up to their debut Sleepwalker, also lauded for its “many 180 degree turns in song structure, multiple time signature shifts and a whole heap of anthemic drama.” (Alternative Control) Metal Injection included Valence in their end of 2015 list “10 MORE Awesome Underground Bands You Need In Your Life!”
Between the awards and rave reviews, the band has developed a reputation as a crushing force in the tri-state and the southern New York music scene, opening for acts such as Consider the Source, Orbs, Felix Martin, The Fine Constant, Angel Vivaldi, Stu Hamm, and playing the official after-parties for Dream Theater, Clutch and The Sword. Bassist Wilhelmus Sapanaro joined the band in Spring 2016, pushing members Geoffrey Schaefer, Michael Buonanno, and Chris Romano into even more challenging and innovative musical territory as the band readies their next endeavor. So stay tuned for their single release of “He Tried To Kill Me With a Forklift” coming in the new year!
Mechanicsburg, PA’s Cell15 is the brainchild of Robert Scott Richardson (Hybrid Ice, The Badlees). Influenced by King Crimson, Gentle Giant, Yes, Genesis, and Pink Floyd, plus being a recording studio owner, Robert created a concept album about his twenty-year recovery. The 2014 release of CHAPTER ONE garnered “Debut Album of the Year” from ProgRock.com. HouseOfProg.com affiliate Rob Rutz raves: “a driving progressive rock concept album…one hell of a story that portrays a dark life, capture and prison time…will remind listeners of Transatlantic, Genesis, and IQ…would also entice any Kansas or Queen fan.” Cell15 is Robert Richardson (keyboards, vocals), Jim Fagan (guitar), Jon Pyle (bass), and Kevin Thomas (drums).
Hailing from the fertile musical landscape of Detroit, TILES features Chris Herin (guitar), Jeff Whittle (bass), Paul Rarick (vocals) and Mark Evans (drums). Formed in 1993, TILES has developed a style that blends the adventure of progressive rock with an aggressive hard rock edge. The band has released five studio albums worldwide through Inside Out Music and recently commemorated their 20th anniversary with a pair of live recordings, “Off the Floor 01 & 02,” which serve as career retrospectives. “Off the Floor 02” was nominated for a 2015 Detroit Music Award.
TILES has completed their sixth studio album, the double-CD “Pretending to Run” which is scheduled for an early-2016 release. “Pretending to Run” is produced by Terry Brown (Rush) and features guest appearances by Ian Anderson (Jethro Tull), Mike Portnoy (Flying Colors, Dream Theater), Mike Stern (Miles Davis), Adam Holzman (Steven Wilson Band), Kim Mitchell (Max Webster), Colin Edwin (Porcupine Tree), Matthew Parmenter (Discipline) and several others. TILES endorses Mesa/Boogie Amplification, Elixir Strings, Aquarian Drumheads, Eden Bass Amplifiers and Ken Smith Basses & Strings.
The American art rock band “Discipline” formed in Detroit in 1987. Their earliest shows were memorable for raw energy and unusual theatrics. Discipline’s 1993 CD “Push & Profit” helped the band reach an audience beyond Detroit. After a short tour in Norway in 1993, Discipline would go on to perform regularly at U.S. progressive rock festivals and venues throughout the 1990s. Their latest studio release is “To Shatter All Accord” (2011).
Although Discipline took its name from a King Crimson album, they are most often compared to early Genesis and Van Der Graaf Generator. The progressive rock website ProgArchives.com classifies Discipline as “symphonic prog.” Hundreds of users and reviews at the site give Discipline five-star album ratings, which designates an album as “essential: a masterpiece of progressive rock music.” John Collinge, publisher of Progression Magazine, acknowledged “To Shatter All Accord” with the publication’s highest marks in his 2012 review (16 out of 16 stars).
Discipline’s festival appearances in recent years include a 2012 performance at Gettysburg’s “Rites of Spring” festival (RoSFest), and a 2008 performance at the Northeast Art Rock Festival (NEARfest) in Bethlehem, Pennsylvania. Shows in their native Detroit are rare but not unheard of. Members of the band have performed and collaborated with other artists on occasion, including Phideaux and Tiles.
Faded Main is a metro-Detroit based rock band that has been together since 2008. Their gritty rock comes from a myriad of influences including, funk, jazz, grunge, and metal. Al Bushe’s powerful lead vocals are backed by the dual guitar sounds of Mike Batke and Craig Dipaola. The rhythm section is driven by Decibel Brown and Jeff Whittle. Faded Main focuses on storytelling with great music that still has an edge. Though Faded Main performs only a few times a year, they recently opened for Ashes of Soma. Although music is only a hobby for these musicians, Faded Main is passionate about what they do and they plan on continuing to deliver solid rock music to their fans for years to come.
The Rob Balducci Band
Since his emergence on the music scene Internationally acclaimed guitar virtuoso, producer, composer Rob Balducci has taken the music world by storm. Balducci recently released his newest CD “821 Monroe Drive.” Rob’s astonishing technique, melodic phrasing and total command of the instrument instantly earned him respect amongst the international guitar and music communities.
The Rob Balducci Band has toured and shared the stage with Michael Schenker, Peter Frampton, Joe Bonamassa, Vernon Reid, Richie Kotzen, Andy Timmons, Extreme and many more. Balducci is known for his teaching and has performed master classes / clinics for all of the major music manufacturers and top music schools in The United States, Europe. Asia and Australia.
“Steve Vai – “There are two things that make an effective musician, one is the technical ability to perform on the instrument and the second is an emotional investment in what you are playing. Rob has a really good equilibrium for the technical side of things and the emotional investment”
Guitar World Magazine – ” Five Stars , Hum-able shred! What a concept!”
Lovetester was founded in 1999 as a vehicle to play songs from Rick Bartow’s solo CD Asstravaganza. The band is currently playing shows supporting their new CD, SLOWMENTUM.
Rick met Wes and Boxy while performing with project object, a Frank Zappa
tribute band that toured the country with various Zappa band alumni such
as Ike Willis, Napoleon Murphy Brock, Don Preston, and Bunk Gardner.
Lovetester says, “We love all types of music – Frank Zappa, Captain Beefheart, Ween, YES, Rush, King Crimson, ELP, Neil Young, Paul Simon, Weird Al, Wesley Willis. We are always learning, practicing and striving for excellence. We know you have your choice of bands and we really do appreciate your support.”
Joe Stump (“The Shredlord”)
Fans of maniacal guitar-driven releases,amazing displays of power and jaw dropping technical command, please, prepare yourselves as the Shredlord returns with his 10th solo album, “The Dark Lord Rises” October 24th on Lion Music.
Joe Stump, known as The Shredlord, has been raining down full throttle neo-classical shred/speed metal since his debut album, Guitar Dominance was released in 1993 on Leviathan Records.
Joe was named by Guitar One magazine as one of the top 10 fastest shredders of all time, by Guitar World as one of the 50 fastest players of all time and by Guitarist magazine as one of the top 20 shredders of all time. He has toured the world both as a solo artist and with metal bands Joe Stump`s Reign Of Terror, HolyHell, RavenLord and Exorcism.
Joe`s also an Associate Professor at the esteemed Berklee College where he`s been the metal/shred guitar specialist for the last 22 years. “The Dark Lord Rises” marks Joe`s 10 solo record and once again the Shredlord has raised his game in every aspect still finding another gear.